JUNTA – Junta (Day One Records, 1984)

Junta – Junta
Day One Records – 01
US, 1984
private press

A1 Zaïre
A2 Another Horse Story
B1 Waldo
B2 Roman Blood
B3 Tar And Soil (Live)

V/A – Rock De Autor (Manifesto, 1991)

V/A – Rock De Autor
Manifesto – ILP01
Brazil, 1991
compilation
private press

A1 P Antunes – We Bop
A2 Aguilar – As Gangs
A3 Paulo Miklos – Esse É O Lugar!
A4 Minho K – Drunk Rock
A5 Cid Campos – O Verme E A Estrela
A6 Akira S + Charlie C – Tokei
B1 Miranda + Neneco + Jimi Joe + Ricardo Salvagni + Maria Andrade – Xote Inglês
B2 R.H. Jackson – O Gato De Schrödinger
B3 Dequinha + Zaba – Preposições
B4 Arnaldo Antunes – E Só
B5 Maria Andrade – O Gato Vermelho
B6 Miguel Barella/Giuseppe Lenti – Borgo San Frediano
B7 Nasi – Arábia Maldita (1h E 12 Min.)

SUSAN COGAN – One (Scone, 1981)

Susan Cogan – One
Scone Records – WRC1-2797
Canada, 1981
private press

A1 The Moon At Sunset Bay
A2 In Favour Of The Sensitive Man
A3 Beauty Is
A4 Dancing With Her
A5 Part-Time Angel
B1 Space-Age Primitives
B2 Your Lovin' Eyes
B3 Peacock Eyes
B4 Jeremaya's Song

Susan Cogan – vocals, guitar
Neil Chapman – guitar
Michael Lucas – trumpet
Don Englert – sax
Clive Parks – synth, piano (B1, B3)
David McMorrow – electric piano
Danny Greenspoon – guitar
Claude Desjardins – drums
David Woodhead – bass
Matt Zimbal – congas (A1, A4)
Jack Grunsky – guitar (A2)
Henry Heilig – bass (A1, A4)
Lorne Nehring – drums (A1, A4)
Chad Irschick – guitar (B2)
Doug Boews – guitar (A1)
Bevery Glenn Copeland – vocals (B1)

JOÃO DE BRUÇÓ/R.H. JACKSON – Caracol (Fonopress, 1989)

João de Bruçó/R.H. Jackson – Caracol
Fonopress Indústria Fonográfica Ltda. – CLP-001
Brazil, 1989
private press

A1 Instante de Gelo
A2 Dona Roxa
A3 Das Matas
A4 Påntano
B1 Here We Go Again
B2 Cabarecht
B3 Terra Batida
B4 Caracol

João de Bruçó – percussão, voz, sanfona
R.H. Jackson – programação eletrônica, guitarra, voz (em Here We Go Again)












https://mega.nz/#!C5wRSLJR!HHTcPxI_YEJOX9NDE4YA4txa9OFUEt-Mwz2GywFcwF4 

ROBERT AARON - Datura (Artichoke, 1980s)

Robert Aaron - Datura

Artichoke Records - Artichoke 201

US, 1980s

private press

A1 Crystal and Infrared

A2 Network in Shade

B1 Agent Grapefruit

B2 Jungle
________
 

 

https://mega.nz/#!jsxyUDIA!PL67DPfEYJs51zxSnsME-obQaZoyx_y95fkqJyec5Ow

ROBERT AARON/MICHAEL CURRAN/KEITH NICOLAY - The Last Ten Minutes (Artichoke Records, 1985)

Robert Aaron - Michael Curran - Keith Nicolay – The Last Ten Minutes

Artichoke Records – 202

US, 1985

private press

I Interruption

II Grand Finale

III Conclusion

Robert Aaron - siel synthesizer, tack piano

Michael Curran - piano, fender-rhodes, kalimba

Keith Nicolay - acoustic guitar, flute, piano

________

"The Last Ten Minutes may (1) refer to the fly with its head trapped in the vortex, pictured on the front cover, (2) depict an apocalypse in which case 'Grand Finale' (side 1, band 2) should be retitled 'Disquiet at the Council of Trenton', or (3) represent the last ten minutes (in the mundane sense) of anybody the listener knows, described either (a) inappropriately or (b) with an obscuring plethora of detail.

The synthesizer mediates among sounds which parallel, without imitating, those of the guitar and sometimes multiphonic flute, sounds of purely electro-mechanical nature, and keyboard-related sonorities.

In 'Grand Finale', the three keyboards sometimes behave as one multi-stopped instrument, sometimes quarrell.

In 'Conclusion', the keys of the processed Kalimba (African thumb-piano) are most-often snapped upside-down.

In all three pieces, discourses are frequently polyrhythmic and often disruptive.  All ratios are intentional, no matter how irrationally described mathematically.  The harmonies, while quite chromatic, combine in the spirit of harmolodic improvisation.  From time to time, they allude to modes, while avoiding their syntax.

Both group improvisations on side one were accomplished in a single sitting, while side two discreetly adds overtracks as it progresses." – Robert Aaron

https://mega.nz/#!3pxwWYpQ!mZEV6V4rblizI5rxlbzGgxL6fBXjwfumhTKQEPmBkNw 

CARLOS BELTRÁN - Jericó (not on label, 1987)

Carlos Beltrán - Jericó
not on label - MA 671
Mexico, 1987
private press

A1 Edades Obscuras
A2 El ciego de Jericó
B1 Cuentos y relatos del País de las nieves
B2 1519

https://mega.nz/#!vgwhHYJT!3_yc5XLPT0s5WAXh4ZgcktHJg8ymOGoU5-_BA-uf25Q 

ARIK RUDICH - Mantra (not on label, 1987)

Arik Rudich - Mantra

not on label - LP77

Israel, 1987

private press

A1 Code of Silence

A2 Final Farewell

A3 Nightmare

A4 Longing

A5 Contaminated

B1 Innocence

B2 Mantra

B3 100 Gates

B4 Last Part

Arik Rudich - piano, e. piano, cp-80, linn drum, dx-7, tx-7, fairlight ii, fairlight iii, obx-8 oberheim, matrix 12, mini moog, p.p.g-2,3, yamaha cs70m, synclavier ii, prophet 5, percussion, atari st. programming, tape

https://mega.nz/#!OsB0TR7Z!SegPI3Ed-u5KiAXmOuYImBDZlQcNWR6XqBEdH8QXWPk 

FERNANDO TOUSSAINT - S/T (Discos Alebrije, 1983)

Fernando Toussaint - Fernando Toussaint
Discos Alebrije - A-8301
Mexico, 1983
private press

A1 Maria
F.T. - bajo, batería, guitarra, piano, sintetizador, percusiones y coros
Jorge Conroy - guitarra de 12 cuerdas
Eugenio Toussaint - sintetizador y Fender rhodes
Jorge Peña - piano
Cecilia Toussaint y Adolfo Cantu - coros

A2 Fase Mor
F.T. - piano, guitarra, batería, bajo y percusiones
Jorge Peña - piano, órgano y percusiones
Eugenio Toussaint - sintetizador


A3 Verano En Nueva York
F.T. - bajo, batería,  piano, voz, percusiones y coros
Arno Gonzalez, Jorge Peña - percusiones
Moby Villarreal - bajo
Cecilia Toussaint - voz y coros
Adolfo Cantu - coros
Jorge Peña - piano
Beto Delgado - faltas

A4 Como En Casa
Jorge Conroy - guitarra de 12 cuerdas
F.T. - guitarra de 6 cuerdas

A5 Si Perdiera La Vida
F.T. - pianos y sintetizadores
Beto Delgado - flautas
Jorge Peña - piano

B1 Introduccion
F.T. - bajo, batería, piano, sintetizador y guitarra
Netz Calderon - guitarra
Beto Delgado - sax soprano y flautas

B2 Recuerdos Del Abuelo
(dedicado a la memoria de F.T.B.)
F.T. - bajo, guitarra, batería, piano (solo), sintetizador y percusiones
Netz Calderon - guitarra
Beto Delgado - flautas

B3 Vista Del Mar
F.T. - piano, bajo (melódico), batería, voz, percusiones y coros
Beto Delgado - flauta
Jorge Peña - piano
Eugenio Toussaint - sintetizador
Adolfo Cantu y Cecilia Toussaint - coros

B4 Te Pareces Al Espejo
(o las entrañas del Anfioxus)
F.T. - batería, voz y percusiones
Jorge Peña - tumbadora y quinto
Arno Gonzalez - percusiones
_______

Privately released in 1983 on the private label Discos Alebrije in Mexico, this self-titled album by Fernando Toussaint shows a unique and little known part of music history.  All compositions are originals by Toussaint with him playing up to 6 instruments on some, ranging from leftfield prog-y funk with synth solos to breezy vocals and latin percussion.  For all the footwork heads, there's also a DJ Rashad sample hiding on 'Si Perdiera La Vida'. 




https://mega.nz/#!Poo0lILK!33C5Tcm1q_-4h8kDYu2xQp77R4f88Om4b_b5LaJnvhg 

TINO KONTRERAS – La Musica Infinita (Discos Latino's Linea De Oro, 1979)

Tino Kontreras – La Musica Infinita
Discos Latino's De Oro LP-DL-2006
Mexico, 1979
private press

A1 Papaztrato
A2 Niña Yavel
B1 Noche Rosa
B2 ¡¡Fiebre De Amor!!

Tino Kontreras – percussion, vocals
Jesús – keyboards
Sergio – keyboards
Arturo – bass
Francisco – percussion
Agustin – guitar


http://www.mediafire.com/download/hkb43auf4mdqj4i/la.musica.infinita.zip