Expressions of a Heritage – EH184
US, 1991
private press
cassette
A1 Aisha
A2 Footprints
A3 Timeless Beginnings
B1 Negative Forces
B2 I Remember Clifford

Shamek Farrah & Norman Person - Live!

Nevertheless, the playing throughout is incredible, showing the energy and creativity of these young players. Toyoda and Madsen split composition duties, Toyoda contributing 'Benkei' and 'Tommy's Den' and Madsen the rest, with the addition of Coltrane's 'Some Other Blues'. The playing here serves to document the vibrant jazz scene in Japan that lasted up through the mid-80s that drew American players to visit the land of the rising sun, on other labels such as Why Not, Trio and Baystate. Moreover, this lp is a fine example of the many phenomenal albums recorded during this period that have yet to be unearthed. Although Toyoda seems to remain in relative obscurity, he's still active in the jazz scene today, so next time you're in Kyoto look up to see him at the Blue Note, or in Osaka at the Royal Horse.
You may recognize Sam Sanders from the 2013 release by 180 Proof Records of a previously unreleased Strata Records date 'Mirror, Mirror' (http://fleamarketfunk.com/2013/08/05/sam-sanders-mirror-mirror/). For most though, this Detroit soul jazz veteran will likely be unknown, and unfortunately so because not only was Sanders a great saxophonist with his own warm and lyrical post bop sound, he was an important fixture of historical significance in the Detroit jazz scene with important Motown and Strata connections. Jazznation explains, "Sam Sanders and Visions - for many years with
bassist Ed Pickens and drummer Jimmy Allen, was known for extremely
aggressive post bebop jazz bordering on the Avant garde. Sanders mainly
played the tenor and soprano saxophones, however he would often close
his concerts with a signature slow blues on the alto saxophone,
revealing his deeply ingrained 'roots' and distinctly Detroit sound" (http://www.jazznation.com/CBP/SamSanders1.html).
Moreover, Jazznation notes, "Prior to forming Visions, Sanders and trumpeter Marcus
Belgrave fronted a band with pianist Harold McKinney called the Creative
Profile. Belgrave and Sanders would continue to perform together,
often with Sanders' big band, the Pioneer Orchestra"(http://www.jazznation.com/CBP/SamSanders1.html). Sanders also served as an instructor at both Oakland University and the Detroit Metro Arts complex as well as helping create the Detroit Jazz Center.