All future blog posts will be redirected to my new blog: Paradise is a Frequency
Check the new write up and sound clips for minimal island synth / dub grail New Green World by Freddy Flint
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Japanese Abstract & Neo-Classical: 1981-1994
https://soundcloud.com/frissionradioworldwide/endless-planets-32-japanese
JUNTA – Junta (Day One Records, 1984)
Junta – JuntaDay One Records – 01
US, 1984
private press
A1 Zaïre
A2 Another Horse Story
B1 Waldo
B2 Roman Blood
B3 Tar And Soil (Live)
IDRISSA DIOP – Rebelle (Musidisc, 1990)
Idrissa Diop – Rebelle
Musidisc – 500141
France, 1990
A1 Genafé
A2 Beuré
A3 M'bidane
A4 L'oiseau
B1 Xadim
B2 Seeyes
B3 Tchep
B4 Nith Ki
France, 1990
A1 Genafé
A2 Beuré
A3 M'bidane
A4 L'oiseau
B1 Xadim
B2 Seeyes
B3 Tchep
B4 Nith Ki
GINSBERG – Sophista-Funk & Jazzy Dreams (Sophista-Funk Records, 1985)
Sophista-Funk Records – SF 2001
US, 1985
private press
A1 Cat Walkin
A2 Resonance
A3 Can't Find Home
A4 November Thing
B1 Heartworm
B2 The Way He Looks At Me
B3 Garden Of Your Soul
B4 Better Late Then Never
B5 Hold The Hand Of Your Dreams
V/A – Rock De Autor (Manifesto, 1991)
V/A – Rock De AutorManifesto – ILP01
Brazil, 1991
compilation
private press
A1 P Antunes – We Bop
A2 Aguilar – As Gangs
A3 Paulo Miklos – Esse É O Lugar!
A4 Minho K – Drunk Rock
A5 Cid Campos – O Verme E A Estrela
A6 Akira S + Charlie C – Tokei
B1 Miranda + Neneco + Jimi Joe + Ricardo Salvagni + Maria Andrade – Xote Inglês
B2 R.H. Jackson – O Gato De Schrödinger
B3 Dequinha + Zaba – Preposições
B4 Arnaldo Antunes – E Só
B5 Maria Andrade – O Gato Vermelho
B6 Miguel Barella/Giuseppe Lenti – Borgo San Frediano
B7 Nasi – Arábia Maldita (1h E 12 Min.)
YVONNE CHAKA CHAKA – Who's The Boss? (Mercury, 1989)
Yvonne Chaka Chaka – Who's the Boss?Mercury – RBL 152
Nigeria, 1989
A1 I'm Not Your Slave
A2 Why Can't We Live Together
A3 Usizwe
B1 We Will Survive
B2 Turn Up Your Radio
B3 To The Man I Love
SHAMEK FARRAH & NORMAN PERSON – Live! (Expressions of a Heritage, 1991)
Shamek Farrah & Norman Person – Live!Expressions of a Heritage – EH184
US, 1991
private press
cassette
A1 Aisha
A2 Footprints
A3 Timeless Beginnings
B1 Negative Forces
B2 I Remember Clifford
Shamek Farrah & Norman Person - Live!
THOM MASON – Be Do Have (Affinity Records, 1980)
Affinity Records – CL-10201
US, 1980
private press
A1 Awakening
A2 Odyssey
A3 Touch Me Like You Do
B1 Be - Do - Have
B2 Shadows
B3 It Must Be Some Other Blues
Thom Mason – tenor sax, soprano sax, flute
Dave Zoller – keyboards
Howard Alden – guitar
Paul Farnen – bass
Alex Camp – bass
Lou Fischer – bass
Mike Jochum – drums
Banks Dimon – drums
Steve Houghton – drums
http://www.mediafire.com/file/cvhx72tsx71nz8e/be+do+have.zip
JON K – Asaboni (Nakasi, 1989)
Nakasi Records – NAK 009
UK, 1989
private press
A1 Asafo
A2 Asaboni
A3 Moko Nshi Omo
B1 Ainura Ahoofe
B2 Waiting
B3 Sika
B4 Odo Ye Wu
Jon K – vocals, bass guitar, drum programming, keyboards
Dave Yowell – bass, drum programming
Zimi – guitar
Nii Odartey – percussion
Jason Yarde – saxophone
Colin Graham – trumpet
Pauline Oduro – vocals
Alf Bannerman – guitar (A2)
_______
https://mega.nz/#!ThBAWC6L!G6-MlQfPcTdxECLSdq_Cf-0hyQ5QwKGIgYDReLmWUSs
LABRYS – Sisterlove (Labrys Records, 1987)
Labrys – SisterloveLabrys Records – LAB135
US, 1987
private press
A1 Got To Stand Up
A2 Waiting For Your Love
A3 Try It
A4 Special Place
A5 Standing On The Edge Of Love
B1 Sisterlove
B2 One Sunday Afternoon
B3 What You Did Was Wrong
B4 Freedom
Elena Jordan – vocals, guitar, trumpet, programming
Patricia Lyons – bass
______
SUSAN COGAN – One (Scone, 1981)
Scone Records – WRC1-2797
Canada, 1981
private press
A1 The Moon At Sunset Bay
A2 In Favour Of The Sensitive Man
A3 Beauty Is
A4 Dancing With Her
A5 Part-Time Angel
B1 Space-Age Primitives
B2 Your Lovin' Eyes
B3 Peacock Eyes
B4 Jeremaya's Song
Susan Cogan – vocals, guitar
Neil Chapman – guitar
Michael Lucas – trumpet
Don Englert – sax
Clive Parks – synth, piano (B1, B3)
David McMorrow – electric piano
Danny Greenspoon – guitar
Claude Desjardins – drums
David Woodhead – bass
Matt Zimbal – congas (A1, A4)
Jack Grunsky – guitar (A2)
Henry Heilig – bass (A1, A4)
Lorne Nehring – drums (A1, A4)
Chad Irschick – guitar (B2)
Doug Boews – guitar (A1)
Bevery Glenn Copeland – vocals (B1)
BOB SIEBERT – Six Lyric Pieces (Aerial, 1983)
Bob Siebert – Six Lyric PiecesAerial
US, 1983
private press
A1 Old Tunes Number Two
A2 Rain
A3 Cat's Feet
B1 Forest Song
B2 Black Lace
B3 Inside The Music Box
Bob Siebert – electric piano, kalimba
Dave Larson – drums
Chuck Sastre – acoustic bass
https://mega.nz/#!f4YyRLRB!GDUKwJnswKB4tFcy-WbSUu21h-9pjnZnEnJS0bfSRzc
LABRYS – Turn Around (Labrys Records, 1985)
Labrys Records – LAB126
US, 1985
private press
A1 Fire
A2 Let Me Be Crazy
A3 Get Away
A4 Bionic
B1 Turn Around
B2 Hang Over
B3 Don't Stop
B4 This Is My Life
B5 Labrys
All Songs Written and Arranged by Elena Jordan
Elena Jordan – vocals, guitar, trumpet, TR-909 drum programming, JX-3P synthesizer, JX-8P synthesizer, programming, harmonica, percussion, Fender RhodesPatricia Lyons – bass, background vocals
Produced by Elena Jordan & Patricia Lyons
https://mega.nz/#!CthDRLYC!TRGRjpXGCYlyP0c6utk7OMubB2ps64GFVUS0qpqznlU
JOÃO DE BRUÇÓ/R.H. JACKSON – Caracol (Fonopress, 1989)
João de Bruçó/R.H. Jackson – CaracolFonopress Indústria Fonográfica Ltda. – CLP-001
Brazil, 1989
private press
A1 Instante de Gelo
A2 Dona Roxa
A3 Das Matas
A4 Påntano
B1 Here We Go Again
B2 Cabarecht
B3 Terra Batida
B4 Caracol
João de Bruçó – percussão, voz, sanfona
R.H. Jackson – programação eletrônica, guitarra, voz (em Here We Go Again)
https://mega.nz/#!C5wRSLJR!HHTcPxI_YEJOX9NDE4YA4txa9OFUEt-Mwz2GywFcwF4
STEVEN WILLIAMS – The Deadline (Deadline Music, 1985) [GUEST POST: Havana Tape Club]
Steven Williams - The DeadlineDeadline Music
US, 1985
private press
cassette
A1 A Little Business
A2 The Deadline
A3 Our Last Time 'Round
A4 Long Parade
A5 The Second Chace
A6 I Got Some News
B1 Back In "B" Town
B2 Screamin' At Me
B3 Your Downfall
B4 Realize It's Me
B5 Ain't Holdin' Back
B6 This Time Is For Realall songs written by Steven Williams
Terri Williams - vocals
Joe Truttmann - vocals
David Potts - DMX
Bill Engel - guitar
Doug Flory - drums
______
thanks to Havana Tape Club (St. Louis, MO) for the music rip and images
https://mega.nz/#!vp4wSQzT!8eEs0L1HBi0y-8jLhB0glFA1bIkBUcEPqYsIlVWGJA8
ROBERT AARON - Datura (Artichoke, 1980s)
Robert Aaron - Datura
Artichoke Records - Artichoke 201
US, 1980s
private press
A1 Crystal and Infrared
A2 Network in Shade
B1 Agent Grapefruit
B2 Jungle
________
________
https://mega.nz/#!jsxyUDIA!PL67DPfEYJs51zxSnsME-obQaZoyx_y95fkqJyec5Ow
ROBERT AARON/MICHAEL CURRAN/KEITH NICOLAY - The Last Ten Minutes (Artichoke Records, 1985)
Robert Aaron - Michael Curran - Keith Nicolay – The Last Ten Minutes
Artichoke Records – 202
US, 1985
private press
I Interruption
II Grand Finale
III Conclusion
Robert Aaron - siel synthesizer, tack piano
Michael Curran - piano, fender-rhodes, kalimba
Keith Nicolay - acoustic guitar, flute, piano
________
"The Last Ten Minutes may (1) refer to the fly with its head trapped in the vortex, pictured on the front cover, (2) depict an apocalypse in which case 'Grand Finale' (side 1, band 2) should be retitled 'Disquiet at the Council of Trenton', or (3) represent the last ten minutes (in the mundane sense) of anybody the listener knows, described either (a) inappropriately or (b) with an obscuring plethora of detail.
The synthesizer mediates among sounds which parallel, without imitating, those of the guitar and sometimes multiphonic flute, sounds of purely electro-mechanical nature, and keyboard-related sonorities.
In 'Grand Finale', the three keyboards sometimes behave as one multi-stopped instrument, sometimes quarrell.
In 'Conclusion', the keys of the processed Kalimba (African thumb-piano) are most-often snapped upside-down.
In all three pieces, discourses are frequently polyrhythmic and often disruptive. All ratios are intentional, no matter how irrationally described mathematically. The harmonies, while quite chromatic, combine in the spirit of harmolodic improvisation. From time to time, they allude to modes, while avoiding their syntax.
Both group improvisations on side one were accomplished in a single sitting, while side two discreetly adds overtracks as it progresses." – Robert Aaron
https://mega.nz/#!3pxwWYpQ!mZEV6V4rblizI5rxlbzGgxL6fBXjwfumhTKQEPmBkNw
CARLOS BELTRÁN - Jericó (not on label, 1987)
Carlos Beltrán - Jericónot on label - MA 671
Mexico, 1987
private press
A1 Edades Obscuras
A2 El ciego de Jericó
B1 Cuentos y relatos del País de las nieves
B2 1519
https://mega.nz/#!vgwhHYJT!3_yc5XLPT0s5WAXh4ZgcktHJg8ymOGoU5-_BA-uf25Q
ARIK RUDICH - Mantra (not on label, 1987)
Arik Rudich - Mantra
not on label - LP77
Israel, 1987
private press
A1 Code of Silence
A2 Final Farewell
A3 Nightmare
A4 Longing
A5 Contaminated
B1 Innocence
B2 Mantra
B3 100 Gates
B4 Last Part
Arik Rudich - piano, e. piano, cp-80, linn drum, dx-7, tx-7, fairlight ii, fairlight iii, obx-8 oberheim, matrix 12, mini moog, p.p.g-2,3, yamaha cs70m, synclavier ii, prophet 5, percussion, atari st. programming, tape
https://mega.nz/#!OsB0TR7Z!SegPI3Ed-u5KiAXmOuYImBDZlQcNWR6XqBEdH8QXWPk
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